Image-Line Toxic Biohazard. Virtual Synthesizer Download Hybrid sound generation from FM and subtractive synthesis 6 Oscillators each with 32 waveforms, sample import and envelope Multimode filter with lowpass, highpass and bandpass as well as own envelope Effects section with Master EQ, Distortion, Phaser, Delay etc.
Wind Instruments No. E-Pianos No. Orchestra Instruments No. Organs No. String Bass No. Sampler No. String Instruments No. Synthesizer Yes. Vintage Instrument No. Hardware Controller No. Item number Not available immediately Not available immediately Download licenses for this product are sent out by the manufacturer.
Standard Delivery Times. Download Now. This product is currently sold out These are other customers' choices:. Toontrack EZkeys Grand Piano. Completely alias-free, and well tuned for all sampling rates, they produce a rich, "fat" sound all across the spectrum.
Made to assure high quality and flexibility is built into the synthesizer its self, Toxic Biohazard aims to reduce the need for external processing altogether! The effect modules are designed to give the user access to several types of effects, from aggressive, tube-like distortion, to warm stereo delay, reverb, flanger, and phaser effects. Powerful, yet simple, the sequencer offers a total of 64 steps, which can be divided into two independent, 32 step modules to allow double-polyphonic patterns.
Using the "Smart Sequencer" technology, when a chord is played, the module defines that chord, and tunes the pattern accordingly. Dale Pro Audio is not responsible for technical inaccuracies, typographical errors, or incomplete or inaccurate content on this site.
Prices and specifications subject to change without notice. Web Development by. Have a Question? Contact Us Live Chat. This can be swapped for pages dealing with MIDI and step-sequencer control - a good compromise, as you probably won't feel the need to fiddle with the matrices while looking at the other screens.
The modulation display packs an awful lot into a small space without feeling fiddly or cramped, and is certainly a lot more inviting than FM8's noob-scaring plethora of pages. As such, it's a cinch to dive right in and start creating sounds, and even those who haven't used an FM synth before should find it easy to get to grips with.
The catch is that Biohazard's frequency modulation is less sophisticated than some of its competitors', and it's not possible for oscillators to modulate themselves. If you're already au fait with either of Native Instruments' FM synths or LinPlug and Maxx Claster's own Octopus, there's not much here that you won't have seen before.
In fact, Toxic owners won't find a lot of new ideas here either, but there are a few new additions that make it an overall better synth. The biggest difference is that the effects section now features two slots, each offering Chorus, Delay, Reverb, Flanger, Phaser and Lo-Fi effects - this is greatly preferable to Toxic III's rather limited delay and chorus effects.
Image-Line's website makes much of the new "physical envelopes", but in our testing we found the difference between the envelopes in Toxic III and Biohazard to be negligible - the manual doesn't even mention the feature. There are a number of other improvements worth mentioning, though, including an admittedly superior graphical interface, increased polyphony, MIDI learn functions, the ability to copy settings between oscillators, and the fact that the plug-in is now available in AU and FL Studio formats.
Despite a lack of significant improvement, this remains a great synth, and the solid bass tones and rich pads that emanate from it belie its bargain price tag.
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